Steven Tyler Talks ‘American Idol,’ Aerosmith’s Future & Jennifer Lopez

Jan 20, 2011 by Anthony Ocasio 

Steven Tyler sat down to talk about ‘American Idol,’ the difficulties of judging contestants, the future of Aerosmith, his affinity for Jennifer Lopez’s ‘The Back-up Plan’ and so much more.

“There was a time, when I was so broken hearted…” Now, imagine hearing that line come out of a 17 year old who is tonally handicapped.

For Steven Tyler, one of the new judges on American Idol, he has to do just that.

Now that long-time American Idol icon Simon Cowell has left the series to bring The X-Factor to America, Steven Tyler has been tasked with not only having to judge potential contestants (many of which chose to perform songs that Tyler himself made legendary), but also providing a breath of fresh air to the almost decade-old series.

In preparation for last night’s American Idol premiere, Steven Tyler sat down to talk with the press about his experiences on the show and what fans can expect to see in season ten of the series.

Certain press people have attempted to make Steven Tyler out to be Paula Abdul incarnate. However, one can’t deny, upon hearing Tyler talk about the series, that not only is he completely lucid and sincere in his thoughts and logic but he also views American Idol as much more than just a “silly singing competition.”

In the 30 minute chat, Tyler talked about the difficulties that he found judging contestants, what he’s looking for in a potential “American Idol,” the future of Aerosmith, bringing a rock element to the mainly pop-focused series and how watching Jennifer Lopez’s The Back-Up Plan helped him in his decision to join American Idol.

I don’t take whatever happened to me this morning or last night or with the band or with exes, I don’t take that into judging kids, like some other people might have.  I kind of take what I’ve grown up with, which is being a very harsh judge of myself—my own vocals, my own band—and kind of laid that across the talent that comes across my view.

I’m taking what they give me, cutting it up in three different pieces: One is can they sing?  Are they in pitch?  Two, do they have character?  Three, do they have a star quality about them?  Kind of folding that all into one. But that would be my expertise and J. Lo’s got her own singing style.  But don’t forget I’m a drummer.  I’ve got the pitch from my father, Juilliard, my own.  I’ve got the drumming sensibility and there’s a tonality and harmonic stuff, and I think I’m going to take it up a notch.

I made some harsh comments the first week, and they snapped back and said, “What do you mean?”  But I only did two of those.  There were only two of those because I didn’t want that to happen again.  I couldn’t say that you were no good without substantiating why, and a couple times when I said, “You know you just don’t have it,” they did ask me why, and I couldn’t tell them why.

I just heard—It’s like I’m looking for that certain something. Well I heard that certain something in a negative way. I didn’t see the star.  I didn’t see this and I didn’t have the balls to tell them that.  I hadn’t ever really watched the show, and I wasn’t really versed in that type of judging. I’ve got three daughters, so it’s hard for me.  Those two times after that, I was ready to go and I jumped back in with both feet.

The part that’s a little difficult is judging young kids… It took me a couple of minutes to get into the role of that, but I’ve grown accustomed to it and it’s fun, and I get to sit next to J. Lo and Randy taking the “you know what out” of everybody, and it’s been good.

On whether there will be more rock singers on American Idol now that he is a judge and whether he feels like he brings a “rock” element to the series:

That would be my judgment call on what rock is, and I haven’t heard a lot of it, but what I have heard has come out through the worm hole.  Remember, it’s got to go through two other judges and for every week that I’ve run along someone that I thought was great, the next week after they were given the wrong song in the wrong key, so we had to drop them.  That’s the beauty of this show, which I didn’t know before, and it’s also the heartbreak.

There’s one kid there that’s got a rock element about him. He’s totally off the wall, and I don’t know which rock star ever wasn’t, but I’ve got hopes that he makes it through.  His voice is ridiculous, it’s so crazy and great.  I hope he can stretch out and use the voice that I heard.

But will I bring a rock element?  Yes, [with] my personality, but I’m also very—I’ve got a good ear for all music and that’s why I thought I would take this.  It’s not just a one phase type judging.  I’m good for all different music and listening to voicing, and the spirit of, and the imperfections of someone’s voice because not all great singers make great rock stars.  It’s some of those voices that aren’t the best that make the best rock stars [is what] I mean to say.  So it’s been fun.  I don’t take this too seriously and I take it seriously, so it’s been a real hoot for me.

I think if anyone’s got anything bad to say about me this season, it will get better the next season, and I take that back.

I have more than a one year contract, but as you know things are what they are, but I have more than a one year contract.  I’ll give you that one.  Can I elaborate?  No, I can’t.

It did at first.  At first, I was told she wasn’t, she was out, and I was a little bummed, but I met Randy first before, and Randy was the shit. I loved Randy.  I thought he and I got on within the first five minutes. It was like we were separated at birth, and we had so many similarities, and the music curriculum and program. Whatever he’s been through I’ve been through, and we mentioned names and we knew everybody and it was like how we hadn’t met before was beyond me.

But no and then when I—and yes on the way from England to America, I saw J. Lo’s movie The Back-Up Plan and I fell in love with her.  I’m watching going, “Oh my God, it’s Jennifer Lopez,” and I went, “Alright I’ll watch the movie.”  I watched her and I fell in love with her because the way she played that to a guy that was just falling in love with her, the way she played her part I could so relate to and I thought anybody that could be this open and honest even acting…  All I can tell you is when I met her she was exactly all that and I was grateful that she got the part.

They must have sung, in the 7 weeks, they probably got 15/16 “Don’t Want to Miss a Thing” and a song by Pink—they sang that song as well. It was hard for me because it always seemed to me when they said they were going to sing it I knew that someone at home would—“If you sing this song Tyler will be enamored.”  When I didn’t like it, I felt a little ill at ease to tell them, “You know what? You didn’t really sing it good,” but after the third or fourth, like I said I got into it.

It will be easier for me to judge live on TV because I’ve been through this mine field of teenage entitlement with all the songs they brought, but specifically for the Aerosmith songs, wow.  I wish they would have sung like a little something else but “Don’t Want to Miss a Thing” is definitely a hard one especially when they have no accompaniment. They would stand in front of me all by themselves and sing it, but if any of them sing it now – remember we’re down to 20 great people – so if they did it, would be nothing but good.

I know Joe’s got the licks and I got a bunch of songs that I’ve written for solo and/or Aerosmith. Next Saturday, we start. The guys are coming out to L.A., where I will be flying out of New York tomorrow and be back in L.A., watch the premier Wednesday night. I get Thursday off, and Friday I’m writing with Marti Frederiksen, and Saturday we’re into a writing program with the band. We’re already booked for a tour in November/December that’s going to be in South America and Japan… what you hear in the press about Aerosmith getting in the way of American Idol it just isn’t so.

(Note: Steven Tyler revealed in an earlier interview with Howard Stern that Joe Perry isn’t confirmed to appear in Aerosmith’s upcoming writing session. In fact, Tyler admitted that he now only communicates with Perry via text messaging. The final message from Tyler was telling Perry that he better show up on Saturday – Tyler’s actual message had more curse words.)

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American Idol airs Wednesday & Thursday @8pm, on Fox

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Source: Howard Stern

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Steven Soderbergh In Talks To Direct ‘The Man From U.N.C.L.E.’ [Updated]

Update: We now have more details on the status of The Man From U.N.C.L.E, including that George Clooney may be starring in the lead role. See below for details.

Back in April we reported on the news that Warner Bros. was finally moving forward with The Man from U.N.C.L.E., its new movie version of the classic 1960s TV series, with relative newcomer Max Borenstein writing the script and David Dobkin (Wedding Crashers) directing.

Despite the film gaining speed this year, a movie of U.N.C.L.E. has been in development (hell) as far back as the mid 1990s. There’s no telling why it’s taken this long to finally get this project into production, but alas here we are. The Hollywood Reporter has the news that WB has made a bold move by bringing on Steven Soderbergh to direct and Scott Z. Burns to write the script.

The inclusion of Dobkin and Borenstein suggested that WB’s version of U.N.C.L.E. would be more comedic than serious, but now that Soderbergh and Burns seem to be coming onboard, we may have a more serious movie on our hands – more Miami Vice than Starsky & Hutch, perhaps.

There’s no word why WB is changing writers and directors so drastically. THR reports that the studio thought Borenstein’s script was strong but have decided to hand the project to Burns for a rewrite. Dobkin will now act as producer on the project instead of director, along with John Davis (I, Robot, AVP).

For those of you unfamiliar, The Man From U.N.C.L.E. was a spy series that ran on NBC from 1964 to 1968. It followed two secret agents, Napoleon Solo (played by Robert Vaughn) and Illya Kuryakin (played by David McCallum), who work for a secret international law enforcement agency known as the “United Network Command For Law and Enforcement” or U.N.C.L.E. They battled against an organization known as T.H.R.U.S.H. or “Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity”, who wanted to take over the world.

Soderbergh is certainly an interesting choice to direct the U.N.C.L.E. adaptation. He’s one of those directors who seems to be able to bounce between deep and serious dramas like Traffic and Solaris, and light and fun movies such as The Informant! and the Ocean’s trilogy, without compromising on quality.

Soderbergh is also a busy man, with two star-studded movies coming out next year: Haywire (previously entitled Knockout) starring Channing Tatum, Michael Douglas, Michael Fassbender and Ewan McGregor; and Contagion starring Matt Damon, Jude Law, Kate Winslet, Marion Cotillard and Laurence Fishburne.

Steven Soderbergh

Burns is a diverse Hollywood writer, with past credits including The Bourne Ultimatum and Soderbergh’s  The Informant! and Contagion (last we heard, Burns is also writing the script for David Fincher’s 20,000 Leagues Under the Sea remake). If both men get the gig, I think it’s safe to assume Soderbergh and Burns have a good working relationship, since U.N.C.L.E. would be their third collaboration.

U.N.C.L.E. is, of course, just one of many old TV shows to get the 21st century movie treatment. It’s a spy story not too dissimilar to the James Bond franchise (in fact, Bond creator Ian Fleming supposedly had a hand in creating U.N.C.L.E.) – could this adaptation follow in the more serious footsteps of the revitalized Bond franchise? Considering Burns was one of the writers of the third Bourne film (a franchise that gave Bond a serious wake-up call) I don’t think it’s too hard to imagine U.N.C.L.E. taking on that same badass mentality.

UPDATE: The Playlist has managed to dig up some more info on U.N.C.L.E. They are reporting from “sources close to the director” that long-time Soderbergh collaborator George Clooney is in talks to star in the lead role. If Clooney was ultimately cast it would be the seventh time he will have worked with Soderbergh after Out of Sight, the Ocean’s trilogy, Solaris and The Good German.

There’s word that this may be Soderbergh and Clooney’s last film together and maybe even his last as director in general (after Haywire and Contagion) as he’s been talking about early retirement for quite a while now. That would certainly be a big loss for the world of movies.

We are reminded that despite U.N.C.L.E. gaining traction, the project is still in the very early stages. However, WB chief Jeff Robinov has given the thumbs up to Soderbergh’s take on the project which would keep things set in the ’60s as opposed to modernizing it as some may have speculated.

There’s also a plan to scrap all the existing scripts for the project – including the original one written by Borenstein – which would mean that Burns would start a brand new script from scratch instead of rewriting an existing one. The words “take back U.N.C.L.E. to its roots” are being thrown around.

The plan is for Soderbergh to shoot The Man From U.N.C.L.E. at the end of next year, although it’s said the plan is still to shoot Soderbergh’s Liberace biopic in mid-to-late 2011. He’s currently filming Contagion, which is due out on October 21st, 2011, and his action film Haywire is set to hit theaters sometimes in 2011.

Source: THR and The Playlist

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